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        <title>trombonist, pianist, educator - Max Perkoff - Blog</title>
        <link>http://maxperkoff.com/blog.html</link>
        <description>Max Perkoff: Blog</description>
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        <lastBuildDate>Wed, 30 Jun 2010 22:34:29 -0700</lastBuildDate>
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            <title>New way to be a musician</title>
            <link>http://maxperkoff.com/blog.html/new_way_to_be_a_musician</link>
            <description><![CDATA[This has been a difficult year so far.  My gigs have been dwindling in number.  I started to get truly discouraged for the first time in my professional life.  Yet, I'm happy to report that Max's Mojo is getting back into gear.  The economy is in the tank, yet there are signs of life.  My private party count is rising, and I'm back to practicing.  I'm teaching 3 high school students music structure class this summer.  It's been inspiring to work with their youthful enthusiasm for music, for learning what was new to me 30 years ago.  It's reminded me of the joys of teaching, and how much I do have to offer.  <br /><br />I've taken steps to reactivate my teaching credential.  It'll be done in a couple of weeks.  I don't know if I'll end up teaching in the classroom again, but if I do, it'll be with deep commitment to student learning and success.  In the meantime, it feels like the right thing at the right time.<br /><br />My gigs so far this year with Caylia Chaiken & Linda Kosut have been rewarding.  Especially at The Showcase Theatre with Caylia and The Rrazz Rm with Linda.  The 1st Sunday gig in Pittsburgh continues to surprise and delight.  And my duos with father Si are a true musical high.  We'll be playing together with other great Marin players July 17.  142 Throckmorton, Mill Valley.  8pm.  Be there.  Jackie Ryan, Blake Richardson, Ian Dogole, many more.<br /><br />One thing though, I am searching for a new way - new for me - to be a musician.  I am determined to connect to my Jewish life with music more often, more deeply.  I am also generally interested in making connections to listeners more directly.  I'll be trying something new along those lines at the Throckmorton Theatre.  Should be really marvelous!]]></description>
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            <pubDate>Wed, 30 Jun 2010 22:34:29 -0700</pubDate>
            <source url="http://maxperkoff.com/blog.html">trombonist, pianist, educator - Max Perkoff - Blog</source>
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            <title>Music is For Life</title>
            <link>http://maxperkoff.com/blog.html/music_is_for_life</link>
            <description><![CDATA[Played music in two very different situations today and tonight, yet they go together so well.  Earlier today was Principal Trombone with the College of Marin Orchestra.  I'm on the substitute faculty roster for the college's music department.  I've been playing with the Orchestra this 2009-10 season.  Today we played Robert Schumann's 1st Symphony, entitled "Spring."  It was written a few months before Robert finally got to marry his beloved Clara, a great pianist/composer in her own right.  It is filled with mid-19th century romance and delight.  Melody and harmony dancing with joy.  What a privilege to play and live inside this music for a while.  While jazz is my primary focus, I've been practicing and focusing on the symphonic approach again.  I love the blend, the sound, of an orchestra.  Lifts my spirit.  Some of my happiest experiences in my youth were playing and traveling with the Marin Youth Symphony and the Oakland Symphony Youth Orchestra.  <br /><br />Tonight I went to a dear friend's 50th birthday party, trumpet player and singer Stephen Saxon.  There was a jam session with family and friends in attendance.  Great fun, good music, food, company.  Life is so much better when we share our joy.]]></description>
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            <pubDate>Sun, 16 May 2010 23:31:15 -0700</pubDate>
            <source url="http://maxperkoff.com/blog.html">trombonist, pianist, educator - Max Perkoff - Blog</source>
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            <title>World Peace Through Music</title>
            <link>http://maxperkoff.com/blog.html/world_peace_through_music</link>
            <description><![CDATA["It is not our job to finish the work, but it is our job to carry it on."  So says an old Jewish Proverb, one my baba (grandmother) told me on a walk in San Francisco. I was 19 and worried about the fate of the Earth.  She put her hand on me and with deep compassion reminded me not to take the weight of the whole world onto my shoulders.  I've just felt her hand again (she passed away in 1986) while practicing trombone.  All my life I've been looking for ways to use the music in me to help, to carry on the work of Tikkun Olam, Hebrew for repair and/or healing of the world.  To do my part.  I do accept that the teaching and some of my performing life has helped in that regard, as do continued acts of Tzedakah, Charity.  Now the idea has finally settled in my mind and heart: I'm going to form a partnership with an Arab and/or Palestinian musician(s) in order to fuse our music in ways I pray Jews and Arabs will one day do in their own lives.  Many are, and many have, but there's still a shortage of peaceful coexistence, so here goes...<br /><br />I'm looking for musicians in the SF Bay Area from Palestinian and/or Arab culture for a musical & spiritual collaboration.  If you or anyone you know might be interested, my cell phone number and email are all over this web site.  Please contact me.  I'm envisioning something like The Afro Semitic Experience my friend pianist/composer Warren Byrd is part of, but there are other models and we can invent our own.  The aim is to embody the world we want by combining our music into a sound that connects people to each other.<br /><br />I'll be using other means besides this blog to search for the right people, but this is my first public announcement on the subject.  I'm already excited about the possibilities.  We could perform in churches, synagogues, mosques, temples of all types - engaging people in conversation about peace and the connections between us.  <br /><br />Hope to hear from you soon.]]></description>
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            <pubDate>Thu, 31 Dec 2009 14:26:35 -0800</pubDate>
            <source url="http://maxperkoff.com/blog.html">trombonist, pianist, educator - Max Perkoff - Blog</source>
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            <title>A Very Hot Gig!</title>
            <link>http://maxperkoff.com/blog.html/a_very_hot_gig</link>
            <description><![CDATA[So tonight I played a nice gig with vocalist Jack Pollard, bassist Kurt Ribak, & drummer Ranzell Merrit.  We were swingin' and havin' fun.  Early in the first set, Kurt noticed we were on fire - literally, with smoke and everything!  The large plant next to us had a hot halogen light with one of our bags on top of it.  Fire.  It's cool, no flames.  Jack pulled the bag, the staff turned off the light.  We kept playing...<br /><br />Playing music is so very much in the mind.  All the years of preparation, and continued learning.  Physical skill, memorized patterns of melody, harmony, song structure.  Yet in order to swing, to play together in a groove, one needs to let go of that and listen, feel, breathe.  I'm at my best when unaware of the Ego.  I tried playing a whole solo with my eyes closed, ears wide open.  Made it for quite a while, more than a chorus.  Felt good.  Keith Jarrett is one of my musical heroes.  I'd like to try a concert like that sometime - no preparation other than the lifetime of preparation I've done.  I'm getting to do something close for a recording of Chuck Bernstein's tunes with Chuck on drums and Sam Bevan on bass.  We finish the recording this Monday.  Don't know when it'll be out, I'll let you know.<br /><br />As always, there are some people listening amid the din of indifference.  That connection between player and listener is something I crave.  More now than in the past, say in my 20s.  I want to connect to my inner voice first and foremost, but I'm always feeling for that bond the music creates between us.  It's as palatable as the chair I'm sitting in.  Have you felt it?  As a listener, what's it like for you?]]></description>
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            <pubDate>Wed, 30 Dec 2009 23:20:34 -0800</pubDate>
            <source url="http://maxperkoff.com/blog.html">trombonist, pianist, educator - Max Perkoff - Blog</source>
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            <title>The Music Biz in the 21st Century</title>
            <link>http://maxperkoff.com/blog.html/the_music_biz_in_the_21st_century</link>
            <description><![CDATA[Well now, this could be a dissertation or just a quick blog, but here goes!  I do a lot of thinking about the business.  Mostly I think about how to make it work for me, how to increase the frequency of gigs and of musically satisfying experiences.  Things have changed over the 31 years since my first paying gig.  That was a private party in Mill Valley, trio with saxophonist Scott Barnhill & bassist Steve Weber.  We made $20 each.  In 1978, for teenagers, that was quite good.  Today  while my gigs pay more, it doesn't add up to a whole lot more once you adjust for inflation.  But the money is not - cannot be the primary concern for a jazz musician.  I do this because I love it, and because I feel drawn to do it.  I still feel there's a lot I want to "say" through music.  <br /><br />So do I make a living being a jazz musician?  I make a life.  I feel very fortunate to be able to make music & work with a number of extremely talented artists.  The time we live in - and the place, San Francisco Bay Area - have quite a large effect on the business of the Music Biz in the 21st Century.  Fewer places to play, & pay scale has gone down due to the economy.  What to do?  I practice, compose, troll the net for work, and stay positive.  <br /><br />Lessons Learned I Hope Help Fellow Musical Artists:  <br />&#8221;¢ Nothing replaces being the best at your craft.  If you can't be the best, get as close as you can.  Be one of the best.  Practice a lot.  <br />&#8221;¢ Establish a bottom line pay scale for yourself.  Don't sell yourself short.  Remember, you can always lower the amount you need for a gig, you can never raise it.  <br />&#8221;¢ If the pay is low but the situation is too cool to say no to, go for it!<br />&#8221;¢ Every gig has something worthwhile in it for you.  Every single one.  To paraphrase my high school drama teacher, Dan Caldwell:  "There are no small gigs, only small musicians."<br />&#8221;¢ Never talk money on the gig.  If you said yes to the person hiring you, say thanks when you get paid.  (The few times I've broken this rule I've come to regret it.)<br />&#8221;¢ The net has offered great opportunity for networking, connecting worldwide, take advantage of it.<br />&#8221;¢ Once you say yes to the gig, play your best, regardless of the situation or how many people are listening.  Pay respect to your fellow performers that way, and to the music itself.<br /><br />So what do you think?]]></description>
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            <pubDate>Mon, 28 Dec 2009 19:24:59 -0800</pubDate>
            <source url="http://maxperkoff.com/blog.html">trombonist, pianist, educator - Max Perkoff - Blog</source>
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